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Writer and storyteller John Edgar
has been telling tales all sorts of audiences in all
sorts of venues – theatres, arts centres, schools,
libraries, festivals, pubs & clubs and the open
air – since 1990. He draws his material from
all over the world and links traditional tales with
his own writing.
His lively cabaret style offers a unique entertainment
that has taken him all over the country. Armed only
with a guitar, John introduces us to a range of chilling,
eccentric and comic characters. |
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Breton Tales After Dark
“In the daytime the land belongs
to the living. But after dark …”
Things used to go bump in the night
all the time in nineteenth century Brittany. If you were really
unlucky, you might even meet up with who - or what - was doing
the bumping …
Drawn from traditional Breton folklore,
writer, storyteller and performer John Edgar’s new
solo presentation is a collection of dark, eccentric and
often bleakly funny stories of Breton life - and death -
after sunset. It’s a time when trees walk, dead skulls
regain the power of speech and the locals venture abroad
with their heads down, hoping that they won’t encounter
the Ankou with his fatal scythe (even though we all will,
one day), the Lavandières, the washerwomen of the
night, washing sheets to make the shrouds that will be needed
at dawn, or the strange and charming horseman eager to invite
you to supper in his mansion house below ground, where,
whatever the weather outside, it’s always warm.
All these characters and more are vividly
drawn in some of the darkest tales ever to cross the channel
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Curses, Corpses and Conjurations
More Breton Tales After Dark
In 19th Century Brittany life could be dramatic enough,
but what happened next was far more exciting. And even if
you were still alive there was always someone who knew a
curse to speed up your journey to the great beyond.
In this collection of dark, eccentric and bleakly comic
stories and folklore we learn about the
voueueses, those with the knowledge and power to
curse, we meet the dead who won’t keep still (like
the skull that wants its bonnet back), and we encounter
the exorcists whose job is to try and make sure that the
departed stay where they belong. And there are John’s
usual hints and tips for keeping on the right side of death.
All of these characters and more are brought to life, for
want of another phrase, in John Edgar’s unique writing
and performance style. Linked with traditional Breton songs,
the stories in Curses,
Corpses and Conjurations will give you a night
to remember – though whether or not you’ll thank
John for that is another matter altogether …
Breton Christmas Spirits
Say a little prayer for those
who’ve gone before,
Say a little prayer for those we’ll see no more,
And when I’m carried through death’s door,
Say a little prayer for me …
Christmas Eve was always special in Brittany. Not only was
it the beginning of the most celebrated feast in the Christian
calendar, it was also the night of miracles. It was a night
when the ox and ass in the stable regained the power of
speech in recognition of their good work on that first Christmas
night. It was the night when the ageless standing stones
left their ancient beds to drink from the rivers, and there
was treasure to be had – provided you were quick.
Midnight was the hour when the waters in the wells would
turn, for two seconds only, to the sweetest and strongest
wine ever tasted. You were either at midnight mass or you
were in bed. For, of course, the dead also walked abroad
…
This selection of dark and eccentric tales from across the
channel celebrates this wondrous, mysterious and downright
dangerous festive season.
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